Note from the artist who made this T-shirt: Dick Firestorm

BROS, I WANT TO THANK FATHEED FOR KICKIN’ EVERYBODY’S ASS BY DRAWIN’, COLORIN’ AND PHOTOHOUSIN’ THIS DESIGN. HE’S THE REASON THIS THING GOT PRINTED, BROS. SO SEND HIM A MOTHER FUCKIN’ E-MAIL AND TELL HIM HOW TALENTED HE IS AND SHIT. I WANT TO THANK ALL MY BROS AT THREADLESS TOO. THEY’RE THE MOST SOLID INDIVIDUALS CURRENTLY LIVIN’ ON PLANET EARTH AND I HOPE SOMEDAY TO GET SMASHED DRINKING WITH Y’ALL

Home Page: Threadless

The complex music and violent dance steps depicting fertility rites first drew catcalls and whistles from the crowd. At the start with the opening bassoon solo, the audience began to boo loudly due to the slight discord in the background notes behind the bassoon’s opening melody. There were loud arguments in the audience between supporters and opponents of the work. These were soon followed by shouts and fistfights in the aisles. The unrest in the audience eventually degenerated into a riot. The Paris police arrived by intermission, but they restored only limited order. Chaos reigned for the remainder of the performance, and Stravinsky himself was so upset on account of its reception that he fled the theater in mid-scene, reportedly crying.

the internet is fantastic. you can explore an effectively infinite space while eating pringles. some rooms of the giant jungle gym have leaves, some have ferns, and some have animated gifs of baby jesus. you never know precisely what you’ll find, and there’s enough that the joy of discovery rarely fades… but you can still have at least some say in where the results go, leaving you feeling comfortably in control.

the jungle gym that is the web is N-dimensional… well, more like a giant network of boxes you could climb around and explore. many sites – this one included – link to more than 6 sites, giving them more than six degrees of freedom. this means the space must have more than three dimensions. this has a ceiling of infinite links to infinite sites, but that’s kind of hard to do in practice. so, i’m just calling it N-dimensional due to the presumption that a given site will be somewhere between some and maNy.

pages are chained together, little pageclaves in the giant jungle gym. most pageclaves have a purpose: sell books, confuse the book-buying consumer, blogging about either of the aforementioned book-related topics. you name it, there’s likely between one and many pageclaves covering it… but there would, likely be fewer pages about blogging about blogging about any of the aforementioned three book-related topics… this is interesting, my brain is translating that referential recursion of probability as a chain of decaying slopes. i’ll have to look into this avenue of research more… later.

anyways, many web pages today are dynamicly generated. the server gets this post from a database, gets the template from the drive, and mashes the two together according to some computer programs written in PHP. if you think about this, you realize that rather than designing a single web page, the programmer is specifying an entire SET of web pages. this page, for example, is the set of every possible blog post as rendered by the template we are using: an infinite number of pages. if you expand our definition to include the programmatic features, such as switching templates, the set size would become an even larger infinity (lol mathematics).

the great-grandaddy set, of course, is the set of every page ever possible. it’s theoreticly possible to code up something that has the potential to specify this set using some bastardization of turing machines and perl, but most programmers settle for something a little less painful to define: a smaller infinity of web pages, or even a finite set.

here are some DYNAMIC web pages:

http://www.qtard.com/
http://www.strangebanana.com/generator.aspx
http://www.superbad.com/
http://randomwebsite.com/
http://www.ricedoutyugo.com/headerimg/
http://www.perl.com/
http://www.google.com/
http://wizardishungry.com/
http://www.ricedoutyugo.com/wtf/
http://www.chinscratcher.com/
http://www.actsofkindness.org/
https://www.fourmilab.ch/hotbits/
http://wwwwwwwww.jodi.org/
http://www.fxbox.110mb.com/

remember: when in doubt,  use F5.

Nine drawings created by an artist after being dosed LSD suggest psychedelic drugs have a powerful effect on ones creative abilities, sometimes transforming the user into a fine artist within hours. At 85 minutes the artist remarks: “I can see you clearly, so clearly. This… you… it’s all … I’m having a little trouble controlling this pencil. It seems to want to keep going.” and at the 2 hr 45 minute mark “I am… everything is… changed… they’re calling… your face… interwoven… who is…”. Brilliant! Here are other investigations into artist’s experience with drugs and creativity.

“I express hopelessness” says ubernerd Takashi Murakami, though for many seeing his work it is not immediately apparent. After looking closely however, one begins to understand what is evident in Murakami’s superflatness, that strong emotive force is embedded on the surface.

Murakami provides some insight into the superflat style, a compression of pop culture, Japanese graphic art, fine art, animation and manga, at the 2:30 minute mark in this video, where he goes on to note cultural problems facing post-war Japan.

Here is an old New York Times piece on Murakami, and more recently the LA Weekly reported that MOCA’s Murakami billboard had surreptitiously disappeared from above the Melrose strip due to graffiti which Murakami found “so wonderful, he had to have it for his collection.” For fanboys and girls, the Murakami art fan blog has additional information.

PingMags’s Chiemi wrote an interesting article which started with the question “Can I see your desk?” emailed to people and friends they’ve interviewed in the past. Primarily artists and designers from the UK and Japan responded with images of sometimes orderly, sometimes untidy desks and working environments. Interesting to note are the sorts of desks, computer setups, books, chairs, paintings, notepads, tools and other creative artifacts that makeup the ambience of the individual work spaces. Check the Desk Project set over on Flickr for some images that didn’t make it to the article, and dig Atsushi Toyama’s comment:

I live in Handa in Aichi prefecture. My studio is in an attic of a very old temple. This attic was used as a study by a professor of uni before, I really love the big desk which is very good to make a big paintings. When I moved to this place, I looked under the desk to put some stuff… And I found a mysterious hole which is big enough to crawl along…!! I think it’s connected to somewhere by the ceiling of main room, but I’m too scared and can not check it by myself. Sometimes I can feel warm gentle breeze coming from the hole. So I covered it with a canvas one day. I haven’t touched it since then…If you are up for checking the hole for me, you are very welcome. But it’s not my fault even if you can’t come back from the hole. If you find some treasure I can give you 10% of that. Maybe the hole is the exit of next life… I don’t know… My imagination about this hole will never end…

Twin aesthetics of the brush and the female body — these paintings are by the mysterious Chinese artist Seyi Wujian. It appears that these images are from a book published in China. I couldn’t find any information on Seyi Wujian on the universal web. More beneath the fold (nudity)…