From the category archives:

Theories

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The complex music and violent dance steps depicting fertility rites first drew catcalls and whistles from the crowd. At the start with the opening bassoon solo, the audience began to boo loudly due to the slight discord in the background notes behind the bassoon’s opening melody. There were loud arguments in the audience between supporters and opponents of the work. These were soon followed by shouts and fistfights in the aisles. The unrest in the audience eventually degenerated into a riot. The Paris police arrived by intermission, but they restored only limited order. Chaos reigned for the remainder of the performance, and Stravinsky himself was so upset on account of its reception that he fled the theater in mid-scene, reportedly crying.

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RESEARCH SHOWS THAT WEB PAGES ARE JUST JUNGLE GYMS FOR ADULTS

April 26, 2008

the internet is fantastic. you can explore an effectively infinite space while eating pringles. some rooms of the giant jungle gym have leaves, some have ferns, and some have animated gifs of baby jesus. you never know precisely what you’ll find, and there’s enough that the joy of discovery rarely fades… but you can still [...]

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Theoretical Robot Colony Visualization

March 12, 2008

Jared Tarbell programmed the terrifically complex looking Offspring, a visualization of the pair bonding process of a theoretical robot colony. Tarbell says:
Each robot is assembled, ages through youth, comes into a reproductive stage, and eventually dies of fatigue. If a robot is lucky enough to find a mate during it’s reproductive stage, baby robots may [...]

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Do the Eight Palaces Hold A Solution To King Wen’s Sequence?

March 4, 2008

The King Wen sequence, also known as the classical hexagram sequence, is sometimes considered the second–oldest formal arrangement of the hexagrams, preceded only by the Fu Hsi (伏羲) arrangement. Over the centuries there were many attempts to find an underlying mathematical structure to this pattern. J.M. Berger says: “My site is devoted to a personal [...]

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